Category: Classes

Sam Abell Image Critique

This past October National Geographic photographer Sam Abell returned to DCP for an afternoon of image critiques. Sam started his presentation by sharing some of his life’s work and explaining why these specific images meant the most to him. His biggest message was to take the photos that are most important to you. As he flipped through the slideshow he shared stories of his artistic search and intimately described some of the most difficult times in his photographic life.

After his presentation, Sam turned his insight towards the work of the students. Over the next hour and a half Sam critiqued two to three images of each of the 24 participants. Photos ranged from travel photography to geometric landscapes to intimate portraits. Sam’s comments included what he liked about each image and gave suggestions on how he may have photographed the situation differently to make the image stronger. He encouraged students to slow down and compose the image and then wait for the action to happen. He shared that the photos that work well are the ones where the subject’s head is above the horizon line and they have their own space and room to tell the story.

Whenever Sam is working with images he always wants the projector to be placed so his shadow can enter into the frame. There is something magical about watching him step into an image and use his hands to call out details, crop out something he finds distracting or point out some small change that would make the image more powerful. By entering into the photograph he can clearly communicate the concept he is wanting to illustrate.

Here are a few images of Sam critiquing photographs along with the students’ comments about the experience:

Sam Abell critiques Frank Richards’ Photo

Sam Abell critiquing Frank Richards' photo

“Sam has an uncanny ability to hone in on the essence of an image – commenting both on what makes an image work and how it might be improved. I do not normally shoot photojournalistic type images like Sam’s but have been able to easily apply the principles he teaches to my work. I like that he focuses on a few powerful concepts that can be easily grasped and when successfully applied have really improved my work.” – Frank Richards

 

Sam Abell critiques Tracy Allard’s Photo

Sam Abell critiquing Tracy Allard's photo

“I like that Sam sees value in many types of images; not just landscape, or portrait etc. I learn from every image that he critiques. He’s really made me think about what makes an image “mine”. I am still trying to find my voice and style but I think I’m getting closer the more that I’m exposed to.” – Tracy Allard

 

Sam Abell critiques Neil Resnik’s Photo

Sam Abell critiquing Neil Resnik's photo

“I was fascinated by his ability to look at a picture and point out things about the composition that I would never notice. For example he would point out the little spaces between subjects or the space at the top of a photo and how it made a difference in the photo. Sam’s critique of my work was very affirming. It was helpful to see my photos through the eyes of another with his skill.” – Neil Resnik

 

Sam Abell critiques Robert Moore’s Photo

Sam Abell critiquing Robert Moore's photo

“I enjoyed Sam talking about his own story, his own struggle trying to be “commercial” and yet be true to himself. Connecting his work images with his personal outlook on life was very touching.” – Robert Moore

Ed Kashi Near and Far Workshop

Ed-Kashi-Workshop-group-photo-dallas-center-for-photography

Photojournalist Ed Kashi spent four days at DCP teaching his Near and Far Workshop where participants exercised their story telling muscles by photographing topics close to home. Ed is president of the VII Photo Agency and is best known for his long form photo essays which bring awareness and explore a situation or a problem. Some of his current work includes an in depth look at Chronic Kidney Disease in Central America in sugar cane workers. His work has been published in publications such as National Geographic, Time, Newsweek and The New York Times Magazine.

During the four days, students had the opportunity to develop an idea for a photo essay, shoot, edit and present a complete story. Projects ranged from an afternoon at a gun range, to preparation for a ballet performance to the life inside an apartment complex of Burmese immigrants. Ed provided guidance on how to approach each situation and taught how to develop a body of work that clearly communicates the story. During a group editing session led by Ed, each participant’s story was pieced together to form a cohesive, engaging photo essay.

Here’s what some of our students had to say about the workshop:

“I find myself falling to the rut of only taking meaningful pictures while on vacation. The concept that you don’t have to go far from home to capture great images was speaking directly to me.” – Tracy Allard

“I was forced to do a lot of fast work in order to get the pictures I needed. This experience game me the confidence to do future project down the road.” – Cristian Heredia

“Ed was very easy to talk to and relate with which made asking questions and seeking guidance easier. His critiques were direct which I like and made sense to me and made it easier for me to dissect my own work.” – Robert Moore

Here’s Tracy Allard’s finished photo essay “Home on the Range”:

Patrizia Montanari, new teacher at DCP

Dallas Center for Photography, Patrizia Montanari

The big news for DCP is that Patrizia Montanari will be teaching our very popular Natural Light Portraits workshop starting in May. We first met Patrizia two years ago when she came in for a few one-on-one tutoring sessions with Peter to work on Lightroom and workflow issues. Originally born in Italy, Patrizia left at 24 and since then has lived in a variety of places including NYC, Amsterdam, Florence, Los Angeles, and San Francisco. She has called McKinney her home for the past three years and has started a blog called [On The Square] where she combines her passion for photography with her love for Historic Downtown McKinney.

A few months ago Money Magazine named McKinney, Texas as the number one best place to live in America. Patrizia and her husband were interviewed for the article:

The historic downtown houses a mix of art galleries, boutiques, and farm-to-table restaurants, as well as basics like a butcher, shoe repair, and farm-supplies stores. Mark Strange says that living downtown was a no-brainer for him, his wife, Patrizia Montanari, and their two young children. “It’s a mix of European, East Coast, and West Coast here,” adds Montanari, 36, a photographer. “You get culture and more country charm for less money than what you’d find in Dallas.”

We recently put Patrizia on the spot and asked her a few questions about her work and life.

Q: What is your favorite part about photography?
A: To be able to preserve memories and in some way stop time. Life is just too fast and it’s not always so simple to slow down and enjoy moments. The art of photography allows us to save memories, and to look back at the past and see things from different perspectives, I love that.

Q: What makes McKinney such an interesting subject for you?
A: McKinney screams Texas to me. It is a city with the feeling of a small town and it has a wonderful Historic Neighborhood. Finding inspiration in McKinney was effortless. I can see beauty even in the oldest and most forgotten building and I meet fascinating people every day.

Through my photography and my blog I am able to share their stories and it just makes me feel complete. I love to talk about anything interesting that I discover about the Historic Downtown and its amazing community and I love to showcase local businesses, artists or just cool people. I’ve created a McKinney greeting card collection that sells in selected retailers in the McKinney Downtown Square, and I also have an incredible amount of followers on my blog called “On The Square” Blog.

Q: How does your background in art influence your photography?
A: I consider myself an artist and a story teller and photography is one of my favorite mediums. My love for painting and drawing at one point of my life developed into photography. It’s an immediate and convenient way to communicate what I would have in the past with my paintings and drawings.

I really love to photograph people – they are my favorite subject. I am passionate about body details and I love to sketch those details, stare at them, and talk about them too. I look at people’s eyes and hands. I remember those details sometimes more than I remember what people say (it’s quite easy to get distracted since English is not my first language). When I paint or draw everything else switches off – it’s just me, my subject and my canvas. When I photograph, I feel the same. Nothing else exists and I am completely into the subject.

Q: What is your goal in photography?
A: My goal is to always improve myself as a photographer. I love to photograph people. I especially love to see their reactions when they are admiring a photo of themselves. They are exposed to a different perspective and they can see beauty in the photo.

Meeting with Peter at DCP a few months ago made me realize how connected my art is to my photography so I worked on merging these two passions and I now offer a unique product to my clients. I host monthly events in collaboration with Pavitra Organic Day Spa in Downtown McKinney called Pampering & Portraits. We promote them as relaxing and glamorous sessions born from the idea of combining a wellness experience with the art of photography, all in a unique, creative and sophisticated session for women of all ages. The portrait package includes a photography session with the option of commissioning a portrait painting.

Q: Why did you leave Italy?
A: Italy is a beautiful country. The history and the art are just amazing and the food is probably what I miss the most. But it wasn’t enough anymore, I needed to discover and travel and the United States gave me great opportunity to express myself and value myself more. Now my home is where my family is and my husband and children are here in McKinney. This is where my children will probably grow up and where we are going to create new memories.

Find out more about Patrizia’s work at www.patriziamontanari.com
The full article in Money Magazine

A Nikon Royal Flush

Over the years, we have had almost every kind of DSLR walk through the DCP doors. We’ve seen combinations of Nikon, Canon, Fuji, Sony and Olympus during our classes and workshops. However, in our DSLR-1 class this past week, something happened that has never happened before. Out of 20 people we had 19 different models represented, including this almost perfect royal flush of Nikons.

D40, D60, D80, D3000, D3100, D3200, D3300, D5000, D5200, D5300, D7000 & D7100

nikon-cameras-dallas-center-for-photography

Prepping for the Panoramas class