Articles Tagged: past workshops

The Art & Business of Food Blogging

In early September Lauren Palmer was scrolling through Facebook and a familiar picture popped up on a friend’s feed. It was a picture of pastel macarons. Macarons she had purchased. They were sitting on one of her plates; on her dining room table; looking as gorgeous as they would had they come from Ladurée, Mad Macs or some other exquisite bakery–not the frozen section of Trader Joe’s where she had actually found them.

The picture-shot by her beloved friend and photographer, Patrizia Montanari, was promoting a class Patrizia would teach for Dallas Center for Photography called The Art and Business of Food Blogging. The Art and Business. Business. The title resonated with Lauren. We asked her to share her experience with us:

I’m not a food blogger per se. Well, not just a food blogger. My website, The Art of Living Beautifully, is an online lifeStyle hub where fashion, entertaining and yes food intertwine to inspire. This non-tech creative started a website in 2014 and has literally been tripping forward for 2 years, not knowing how to get there or even where she was going, but the determination to continue creating each week has outweighed the logic. The most difficult part though? Not knowing what I don’t know.

I signed up for the workshop where Patrizia would teach photography, Coryanne Ettiene owner of Ettiene Culinary Market would teach the business side of food blogging, and Rebecca White creator of A Pleasant Little Kitchen and foodie contributor for The Dallas Morning News would share her knowledge of the art of food styling.

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Photo Credit: Lauren Palmer

Five minutes till 9:00 I arrived at Ettiene Market with 10 other bloggers. I watched as they unloaded camera bags and lenses and sexy little MacBook Pros–I had shoved my tiny Olympus in my purse with a small notebook and my ancient laptop which weighs approximately 9 pounds. Class began on time in Coryanne’s market. It truly was the ideal setting to absorb foodie inspiration: French cup towels, cast iron pots with a golden hue, giant tea cups branded DARLING and SUGAR stacked in haphazard towers. It is rustic and honest and a home cook’s dreamy-est dream.

“I’m in the mood to receive a check for $6000 today” Coryanne said. I smiled. I liked her already. She began her segment by encouraging us to treat our blogs like a business, not just a hobby or creative outlet. Seek collaborators, fill in gaps, look for opportunities, reach out, do the work, diversify, be authentic, honest and open, take chances. Success doesn’t just happen for bloggers. We have to create it, look for it and be smart about it. She told me things I didn’t know, while reminding me of parts that I did, but had just forgotten.  Her knowledge was vast. Her experience, coveted. Her involvement in this workshop was priceless.

Patrizia took over after Coryanne and gave us a quick lesson on camera anatomy. Light, color, composition, story-telling–these are the components that make a great photograph, she told us in her lovely Italian accent. Also remember light is the other subject of the image. Be very aware of it and use it to your advantage. She was even able to demonstrate photo editing in Lightroom, all the while encouraging us to develop our eye and see our photographs differently.

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Photo Credit: Lauren Palmer

Market Street Supermarket graciously provided lunch for the attendees, which we could also use as subjects for practice. We spread out, ate and took a few shots before Rebecca White began her words on food styling–which for me was the most fun part of the day. I had no idea that photographs should be well thought out before hand, and that they should communicate your brand as well as show a particular food. It shouldn’t be just a picture of spaghetti. The picture of spaghetti should also tell what makes your blog unique: moody, colorful, glamorous, simple, kid-friendly etc…Rebecca had so many ideas and tips on how to create photographs that become your own personal thumbprint.

By the end of the day, I was overflowing with knowledge and fearful I would forget some of the precious wisdom I had just attained. I was also exhausted and starving. On my way to grab some Thai food take-out before heading home, I used what brain power I had left to process the day. The biggest takeaway I had was the simple reminder to seek help if you struggle somewhere. Look to places like Dallas Center for Photography for guidance. Take a class. Engage in a workshop and meet others who are in your same shoes. As bloggers and photographers our jobs can feel so lonely, so isolated. My day at Ettiene Market was a refreshing change to my typical island of one work day. Thank you DCP. Thank you to Coryanne and Rebecca. E grazie mille por la tua amicizia Patrizia.

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Lauren Palmer

www.theartoflivingbeautifully.net

Instagram: @theartoflivingbeautifully

 

 

 

Sam Abell Image Critique

This past October National Geographic photographer Sam Abell returned to DCP for an afternoon of image critiques. Sam started his presentation by sharing some of his life’s work and explaining why these specific images meant the most to him. His biggest message was to take the photos that are most important to you. As he flipped through the slideshow he shared stories of his artistic search and intimately described some of the most difficult times in his photographic life.

After his presentation, Sam turned his insight towards the work of the students. Over the next hour and a half Sam critiqued two to three images of each of the 24 participants. Photos ranged from travel photography to geometric landscapes to intimate portraits. Sam’s comments included what he liked about each image and gave suggestions on how he may have photographed the situation differently to make the image stronger. He encouraged students to slow down and compose the image and then wait for the action to happen. He shared that the photos that work well are the ones where the subject’s head is above the horizon line and they have their own space and room to tell the story.

Whenever Sam is working with images he always wants the projector to be placed so his shadow can enter into the frame. There is something magical about watching him step into an image and use his hands to call out details, crop out something he finds distracting or point out some small change that would make the image more powerful. By entering into the photograph he can clearly communicate the concept he is wanting to illustrate.

Here are a few images of Sam critiquing photographs along with the students’ comments about the experience:

Sam Abell critiques Frank Richards’ Photo

Sam Abell critiquing Frank Richards' photo

“Sam has an uncanny ability to hone in on the essence of an image – commenting both on what makes an image work and how it might be improved. I do not normally shoot photojournalistic type images like Sam’s but have been able to easily apply the principles he teaches to my work. I like that he focuses on a few powerful concepts that can be easily grasped and when successfully applied have really improved my work.” – Frank Richards

 

Sam Abell critiques Tracy Allard’s Photo

Sam Abell critiquing Tracy Allard's photo

“I like that Sam sees value in many types of images; not just landscape, or portrait etc. I learn from every image that he critiques. He’s really made me think about what makes an image “mine”. I am still trying to find my voice and style but I think I’m getting closer the more that I’m exposed to.” – Tracy Allard

 

Sam Abell critiques Neil Resnik’s Photo

Sam Abell critiquing Neil Resnik's photo

“I was fascinated by his ability to look at a picture and point out things about the composition that I would never notice. For example he would point out the little spaces between subjects or the space at the top of a photo and how it made a difference in the photo. Sam’s critique of my work was very affirming. It was helpful to see my photos through the eyes of another with his skill.” – Neil Resnik

 

Sam Abell critiques Robert Moore’s Photo

Sam Abell critiquing Robert Moore's photo

“I enjoyed Sam talking about his own story, his own struggle trying to be “commercial” and yet be true to himself. Connecting his work images with his personal outlook on life was very touching.” – Robert Moore

Ed Kashi Near and Far Workshop

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Photojournalist Ed Kashi spent four days at DCP teaching his Near and Far Workshop where participants exercised their story telling muscles by photographing topics close to home. Ed is president of the VII Photo Agency and is best known for his long form photo essays which bring awareness and explore a situation or a problem. Some of his current work includes an in depth look at Chronic Kidney Disease in Central America in sugar cane workers. His work has been published in publications such as National Geographic, Time, Newsweek and The New York Times Magazine.

During the four days, students had the opportunity to develop an idea for a photo essay, shoot, edit and present a complete story. Projects ranged from an afternoon at a gun range, to preparation for a ballet performance to the life inside an apartment complex of Burmese immigrants. Ed provided guidance on how to approach each situation and taught how to develop a body of work that clearly communicates the story. During a group editing session led by Ed, each participant’s story was pieced together to form a cohesive, engaging photo essay.

Here’s what some of our students had to say about the workshop:

“I find myself falling to the rut of only taking meaningful pictures while on vacation. The concept that you don’t have to go far from home to capture great images was speaking directly to me.” – Tracy Allard

“I was forced to do a lot of fast work in order to get the pictures I needed. This experience game me the confidence to do future project down the road.” – Cristian Heredia

“Ed was very easy to talk to and relate with which made asking questions and seeking guidance easier. His critiques were direct which I like and made sense to me and made it easier for me to dissect my own work.” – Robert Moore

Here’s Tracy Allard’s finished photo essay “Home on the Range”:

A group shot of the March 2014 Noel Kerns Workshop