EARLY BIRD PRICE (expires 09/21)
Please note: Classes may be held in the upstairs classroom, up one flight of stairs, no elevator access.
This workshop is for you if you’ve taken the Beginner Workshop, the first two Evening Courses or have the equivalent level of experience. In this workshop we’ll dig deeper into the equipment and get further into the creative choices and challenges of consistently taking good photos, even in challenging lighting conditions.
We’ll pick up where the beginner workshop left off and go deeper into important technical controls on your camera and then move into the creative aspects of photography including composition and lens choices.
- The light meter: understanding how your camera reads and measures light and how it can sometimes cause exposure problems.
- Exposure control: bracketing, exposure compensation and reading a histogram.
- Tricky exposures: how to get good exposures in tricky situations including backlight and high contrast settings.
- Support & stability: keeping your images sharp and vibration free through the proper use of tripods, monopods, stance, leaning & breathing.
- Dust & cleaning: when to worry about lens and sensor dust and how to get rid of it.
- Focal length and maximum aperture: deciphering the numbers on your lens.
- Lenses: creativity vs practicality (and cost!). How to select lenses as creative tools. A look at ultra wides, telephoto, zooms, primes, macro and some surprisingly affordable options.
- Sensor sizes: full frame vs. cropped sensor and what difference it makes to your photography and lens selections.
- Creative motion blur: using slow shutter speeds as a creative tool for both low light situations and to purposely blur movement.
- Composition: the architecture of a photograph, some rules and when to break them
- The art of photography: stepping beyond the elements of exposure and focus and thinking about color, gesture, timing and other creative aspects of photography.
This is a small group, hands-on workshop. In the afternoon we’ll shoot professional models under a variety of lighting conditions, some of them challenging, so you can test out your new skills and control. We’ll end the day with a live editing session of your images and a concluding slide show.
(lunch is included in the price of the workshop)
- Cost per person is $240 early registration, $260 late registration.
- Workshop price includes modeling fees and lunch.
- Doors open at 8:45am.
- Workshop starts promptly at 9:00am and ends at 5pm.
- Classes may be held in the upstairs classroom, up one flight of stairs, no elevator access.
- Advance registration and payment is required.
- Maximum number of students is 12, minimum number to make a class is 6.
- Parking is available on the street or in the adjacent lot at Electric Light & Power.
Q: What’s the difference between the Full Day Workshops and the evening Short Courses?
A: The DSLR-1 and DSLR-2 classes cover some of the same material as the Beginner Full Day Workshop. The DSLR-3 class includes some of the material from the Intermediate Full Day Workshop. The workshops are smaller, more hands-on and there is time for shooting with a model. We’ve found that some people enjoy the intensity of an all day workshop while others prefer to have the material spread out over several classes.
Q: Is lunch included in the workshop?
A: Yes, we will be bringing in lunch.
Q: How late can I sign up for a workshop?
A: As long as the workshop doesn’t show as “sold out”, you can register and pay up to two hours before the starting time.
Q: How will I know if a workshop makes or not?
A: If a class doesn’t make and has to be canceled, you will receive an email no later than the night before the scheduled class date.
Q: What if I have to cancel?
A: Details on cancellations are on our Policies page.
Q: Where is the workshop held?
A: At Dallas Center for Photography, 4756 Algiers, Dallas, 75207.
Q: What kind of camera is best for these workshops?
A: The classes are geared toward Digital Single Lens Reflex cameras like the Nikon D3000, D5000, D7000 series or the higher end D600, D700, D800 or D4 series. On the Canon side the models of any of the Rebel or EOS cameras including the T2, T3, T4 or T5 series, 60D, 70D, 7D or 5D series. The Sony Alpha series is also included even though several are not true DSLRs. The classes may also be appropriate for non reflex, high quality cameras that offer manual controls, such as the Canon G series, Lumix LX, Ricoh GX, etc. If you’re not sure if your camera is appropriate for the classes just drop us a note through the Contact page.
Peter is the owner of Dallas Center for Photography and teaches several of the classes and workshops. In over 30 years of shooting assignments for national magazines and corporate/stock photography he’s learned a few things and likes to pass it on. His favorite student review is “You remember what it’s like to not know”.
He also works one-on-one with clients to further particular shootings skills, organize their photos with Lightroom or work on projects like books and exhibitions. He still shoots occasional commercial jobs but is busy with personal book projects and running the expanding DCP.
Richard is committed to passing on the craft and joy of image making by teaching classes and workshops at the Dallas Center for Photography, University of Texas at Arlington, the University of North Texas, Texas Woman’s University and as a contributor to lynda.com.
“Learning is a process and I see myself as a lifelong learner continually taking on new subjects, being in a state of Beginners Mind. My commitment as an educator is to share complicated material in a way that is easily understood by the student regardless of their experience level.”
Rebecca started taking pictures and movies when she was 10 years old. As a grown up, she shoots and produces documentary and commercial projects and holds a position as adjunct professor in film at Southern Methodist University in Dallas.
Before moving back to Texas she spent four years in Amman, Jordan, helping to build the curriculum for cinematography, editing, sound and documentary production at The Red Sea Institute of Cinematic Arts. While there she worked on the critically acclaimed documentary series To be a Human Being. She believes that film is truly one of the world’s most powerful tools and means of expression. Being able to share her knowledge and to learn and grow along with her students is what Rebecca sees as the greatest opportunity of her lifetime.